Biography

Unknown“Michael Bublé isn’t the only person keeping the Sinatra Flame alive” so said the London Times of Gary Williams, star of the West End’s “Rat Pack” and soloist with leading big bands and concert orchestras throughout the world, including the Royal Liverpool Philharmonic, the Melbourne Symphony, the BBC Big Band, the Ulster Orchestra and the Lahti Sinfonia of Finland.

Born in Grimsby, England in 1970, Gary found his voice in community theatre and social clubs before getting his first break with the BBC Big Band. The concert was broadcast on regional radio and caught the attention of BBC bosses who immediately invited Gary to perform in a series of concerts with the band for Radio 2’s Big Band Special and on national television paying tribute to Vic Damone. It was there he met broadcaster David Jacobs who suggested they tour the UK together with a new show ‘The Legend of Sinatra’ which ran for 12 months.

After guest appearances with the Syd Lawrence Orchestra Gary was introduced to conductor and arranger John Wilson whose dedication to recreating the original sound of the great orchestras led to numerous concerts including tributes to Frank Sinatra and Nat ‘King’ Cole. Gary has since worked with John as a soloist with many orchestras including the Hallé, Northern Sinfonia, City of Birmingham Symphony, Royal Scottish National, Adelaide Symphony, Icelandic Sinfonia, and the Northern Sinfonia.

Gary has been a regular guest of the BBC Concert Orchestra for ‘Friday Night Is Music Night’ and had the honour of performing for The Prince of Wales at Buckingham Palace. In 2010 he was invited by the LA Jazz Institute to perform at Frank Sinatra’s famous Palm Springs home. He starred in the 50th anniversary concert of ‘Songs for Swingin’ Lovers’ with Ireland’s RTE Orchestra presented by Nelson Riddle’s daughter Rosemary, and subsequently ‘Putting on My Top Hat’ with Fred Astaire’s daughter, Ava.

In 2004 Gary enjoyed his West End debut, recreating the role of Frank Sinatra for 150 performances of ‘The Rat Pack Live From Las Vegas’ at The Theatre Royal Haymarket, The Strand and the subsequent 2005 European tour to Austria, Switzerland, Denmark, Germany and The Netherlands. In 2006 his cabaret show ‘An Evening with Gary Williams’ sold out at London’s ‘Pizza on the Park’ as did ‘A Swingin’ Christmas’ at the world famous Ronnie Scott’s Jazz Club. In 2007 Gary opened the ‘White Christmas’ orchestral tour with two sell-out concerts at the Royal Albert Hall.

Other work includes a concert The Legend of Sinatra (UK tour), the Nelson Riddle Orchestra in Los Angeles, BBC Pebble Mill, ‘That’s Entertainment’ a tribute to the MGM musicals with the John Wilson Orchestra at the Royal Festival Hall, Gloria Hunniford’s ‘Open House’ (with Donny Osmond and Burt Bacharach), and the soundtrack for the Warner Bros’ motion picture ‘Mrs Ratcliffe’s Revolution’. Gary performed two new songs for ‘Doctor Who – A Celebration’ from Cardiff’s Millennium Centre complete with Daleks, Cybermen, and the Welsh National Concert Orchestra (broadcast on BBC1?s Christmas day special and available on BBC DVD). He has appeared on Radio 2?s ‘Jazz Notes’, Radio 4?s ‘Loose Ends’ and has contributed to their consumer programme ’You and Yours’.

Internationally Gary has presented concerts in Florence, Portugal, Finland, Iceland, Oslo and Jordan (for the British Council). A regular headliner for the world’s largest cruise lines Gary has visited over 60 countries including such varied places as Alaska, Brazil, the Falkland Islands, Hawaii, China and Libya – leading BBC Radio 4?s travel show ‘Excess Baggage‘ to include him as a guest on their ‘Ocean Cruise’ special. As a presenter has recorded corporate films for McCain, the Health Protection Authority, Seafish and Jessops Cameras.

He has entertained numerous private and corporate audiences at The Ritz, The Savoy, The Dorchester, The Ivy, Mossiman’s, The Pigalle, The Houses of Parliament, Alexandra Palace and Spencer House. For two years he performed with his musicians at the Royal Garden Hotel’s ‘Manhattan Nights’.

In 2002 Gary received the Outstanding Support Award from children’s charity When You Wish Upon A Star and was recently given the RNLI’s Bronze Award. In 2008 he was invited to Downing Street in recognition of his work for the Caron Keating Foundation.

He’s recorded for the Reader’s Digest ‘Timeless Classics’ series, with the Royal Ballet Sinfonia for ‘What A Carry On’, and with the Syd Lawrence Orchestra. He’s recorded nine solo albums; the latest, paying tribute to Sinatra, was Jazz FM’s Album of the Week and has been released in Japan. His “best of” CD (featuring highlights of his Abbey Road recordings), prompted Oscar winning lyricist Don Black to say “In a world of Pop Idol mediocrity Gary Williams shines like a dazzling beacon.”

Gary’s favourite books include: On The Shortness of Life (Seneca); Bad Science (Ben Goldacre); Counter Knowledge (Damian Thompson); The Four Hour Work Week (Tim Ferris); Man Watching (Desmond Morris); Eats, Shoots and Leaves (Lynne Truss); Howard’s End (E.M Forster); and Telling Tales (Alan Bennett).

Gary’s favourite films include: The Talented Mr Ripley (and Plein Soleil), The Silence of the Lambs, Why We Fight, Nosferatu, The Thief of Baghdad, You’ve Got Mail, Babette’s Feast, Central Station (Central do Brasil), City of God (Cidade de Deus), The Blues Brothers, La Belle et la Bête, and You’ve Got Mail.

Gary’s favourite albums include: Big Band Bossa Nova (Quincy Jones), A Swingin’ Affair (Frank Sinatra), Rumours (Fleetwood Mac), Notable Impressions (Clive Dunstall), Live At The Sands (Jack Jones), Beauty and the Beat (Peggy Lee), Life In Cartoon Motion (Mika), Nat ‘King’ Cole Sings – George Shearing Plays, Tight Lines (Robert Fowler), Soft Lights and Sweet Music (John Wilson), Rare Monro (Matt Monro), Mark Murphy (Mark Murphy’s Hip Parade), Queen (Greatest Hits), and Live At The Sands (Frank Sinatra).

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PRESS CUTTINGS

October 21st 2011

Crooner Delivers Polished Performance

Downton Abbey may dominate our Sunday evening TV screens, but Immingham-born Gary Williams brought a touch of real class to the Parkway Theatre, in Cleethorpes.

Immaculately and stylishly dressed, with impeccable manners and immense charm, he smoothly seduced an audience that he described as more like a family and friends reunion. (Read more…)

April 21st 2011

My Musical Theatre Debut

Don’t get excited. I haven’t been signed up for Cameron Macintosh’s latest production. I’m going back twenty years (I don’t feel old enough to have done anything 20 years ago) to 20th July 1991. The place: Grimsby; the show: Adam & Eve; the critic’s comment on my performance: “Muddling through”. (Read more…)

October 24th 2010

LA Jazz Festival reviewed by Gordon Sapsed

For the final two sets of the evening a Nelson Riddle Orchestra was assembled and led by Christopher Riddle. Again featuring ‘cream of the crop’ LA studio musicians, the band also included a full string section and French horns. (Read more…)

December 23rd 2009

Gary Williams at Pizza on the Park. The Times review

Gary Williams is one of the most experienced Sinatra acolytes, even bearing a striking physical resemblance to the great man. (Read more…)

January 26th 2009

Friday Night Classics, The Gershwins in Hollywood

Symphony Hall, Birmingham, Friday 23 January 2009

This 2 and a quarter hour concert featuring the CBSO with guest conductor John Wilson and accomplished vocalists Kim Crisswell & Gary Williams was a delight. Superb playing & solos from the CBSO and guest instrumentalists made it a most memorable evening. A full house of over 2200 was treated to some of the greatest music of the 20th Century through their original film musical arrangements. It was indeed ’Swonderful. (Read more…)

Read the complete Press archive »

“Gary Williams is one of the most experienced Sinatra acolytes, even bearing a striking physical resemblance to the great man”.

Clive Davis for the London Times

“Gary Williams is always worth hearing and in the company of John Wilson and the best of musicians he excelled himself in the finest of the Gershwins”.

Clive Fuller, In Tune Magazine